It would be one of the best features if Pro Tools could integrate with Melodyne and VocAlign in a way that makes them start analyzing whenever we start recording so that as soon as we finish that take it becomes available on the same wave screen but below the audio and in a way that makes pro tools start having Melodyne or VocAlign on the fly, whenever we need to tune or align something during the record process, sometimes ...more »
Integrate the softwares just like Studio One does. VERY useful thing. Please vote so that they make it happen!
During audio playback and plugin mixing only with no other plugins inserted but just Avid's Dynamic 3 Compessor or Gate and the plugin window is open and on screen and mixing with the plugin the whole UI get really sluggish and lags but the audio is not delayed (similar to the El Capitan GUI lagginess before 12.5) but when I move the plugin window to the side almost out of sight the lag and sluggishness is completely ...more »
I think that Pro Tools would start up much faster if it didn't have to scan all the plugins every time it starts up. it is very time consuming. Please, make it stop! Create a short cut key that rescans when we ask or something like that. Waves does this and LogicX does too.
Please have the midi real time controls behave like Logic Pro X so while you are playing a midi clip you can fine tune and adjust midi data (quantize, velocity, etc) with sliders. This would eliminate hitting "Apply". Truly in realtime and accessible in the midi window like Logic Pro X's midi editor window on the left. Logic has collapse mode which gives focus to only the data recorded and not the whole piano roll. Very ...more »
I love the Avid Pro Series EQ plugins. I would love to see the same philosophies and approach applied to an EQ plugin. Something along the lines of Fab Filter's Pro Q or DMG Audio's Equality or Equilibrium. Offering a high number of bands (16+), each being able to take on any shape or filter type. A spectrum analyzer would be lovely. There are lots of great EQ plugins out there but this would round out the Pro Series ...more »
I would love to be able to see more visual separation of sections of my mix in the edit view window. I often find myself putting in extra tracks to act as separators between elements in my mix. If I could insert a dedicated 'separator' track - that looked unique in some way - it would work well as a quick visual reference for navigating my way around the more complex mixes. Even just the ability to add empty space ...more »
I would love to have a key command to start playback from the left window edge in the Edit Window. It's a feature found on Logic, and I remember having used it extensively back in my Logic days... It is just so convenient, because I find myself often working on a specific section, zoomed in in the Edit Window. I know there's commands to play form the cursor, or Pre-Roll or to the edit cursor etc. but it would be great ...more »
The automation mode selected from the "fixed" automation mode buttons (to the right of the fader) should change the Auto Mode of the ATTENTIONED track without having to press the "Select" button. This is MUCH more intuitive & saves an extra button click. Additionally, for auto modes, this should be a simple "click", and not a "click & hold". There's very little chance that an errant click is going to "accidentally" change ...more »
Quickly translate the documentation into other languages than English. The translation of Avid are quality, but it's really too long now. We buy a multilingual software. Documentation must be multilingual and updated, as in Steinberg competitors Presonus. Magix. For example, new features in version 12 (.1, .2, .3, .4) are not translated. One also notes: often translated documents (in the case of pro tools 11) refer to ...more »
Offline bouncing a stereo file in Pro Tools HD 12.4 and 12.5 results reproducibly the size of bounced left channel to be same than the source channel of the bounce, but right bounced channel to be a bit larger (reported by Finder). Same happens with 5.1 files - the size of bounced left channel is the same than the original, all the other five ones are a bit larger. Pro Tools sees the bounced files as same size, importing ...more »
This idea is related to the I/O Window. At the moment in pro tools there are a number of issues with Aggregate devices. Often when using multiple audio interfaces in OS X 10.11 the I/O doesn't match with the devices in the I/O window. This can make determining which input is which incredibly difficult. My suggested solution is two fold. One - make it so that aggregate device I/O and the I/O correlate with input names ...more »