I would like to see Instrument tracks have an ' input monitoring button ' ..., the same as Audio Tracks do. Many people actually rehearse their gig ...., - trigger samples to tempo maps etc running in pro tools,, - or others who like JAM along via Pro Tools on a Macbook Pro's etc with a decent low latency Interface hooked up to their rehearsal room P.A's , and once in a blue moon they may actually record with it. ...more »
Right click on the track name. The resulting menu gives you the option of add to or remove the track from the groups. Just like selecting inputs and outputs, hovering over "Add to group" gives you a drop down list with all the groups. Click the group and bam, it's added. Hover over over "Remove from group" gives you a list of all the groups the track is in. Click the group and bam, it's not in that group anymore. This ...more »
Split Playlist tracks into Audio Tracks, useful in case you need to split the playlist if you record passes like Stem tracks.
For film and TV: If I send a session from a template to an editor (or several), who does some work and changes track names to something helpfully descriptive (Cars 1-4, Rain 1-8, etc.), I'd like to be able to match tracks back into my master session, and include their changed track names as well as the clips. As it currently works, matching tracks and importing gives you of course plenty of options, but updating the ...more »
This might also be a message to pass onto all 3rd party plugin developers as well as the Avid plugin developers.
Some plugins cause PT 12.5.0 Meters to lag while you move the parameters (or even the mouse when the plugin is open).
My setup: 12 processor 3.46Ghz Mac Pro Mid 2010, OSX latest El Capitan, 128GB RAM, PT 12.5.0 HDX.
In a nutshell: OMF's originating as 23.976 from Final Cut Pro 7 are seen in Pro Tools' Import Session Data window as 24 frame metadata. Importing a single OMF into a Pro Tools session that is set to 23.976 seems to work just fine. BUT! if the OMF comes in 2 contiguous parts and the Match Tracks feature is employed in the Import Session Data window in overlay mode, the second part of the timeline (the new material) does ...more »
Pro Tools LE 5.1 open as 'blank' in PT 12.5.0
When committing aux tracks you often get a lot of silent clips. Committed clips is created even if no audio is sent to the aux track. In the what's new in Pro Tools 12.3 document it says: "Committed Auxiliary Input tracks reference the clip boundaries from audio tracks routed to the input of the Auxiliary Input track and preserve them whenever possible." This is not very useful in large session where you can end up ...more »
This way you can set your Sub Groups as Wide Meters while all the other normal tracks remain as Normal, which means you can quickly Identify the Sub Groups because they will stand out.
Since track name boxes are now larger in the Edit view - and it is possible to assign longer names without having them clipped - the font width could stretch accordingly in the Mix view, when necessary, to accommodate the extra text length now available.
Cubase to add one or more additional rules at any level of the editing window. For example, between the tracks of different types. This function is very useful to divide clearly floors all tracks. However, Avid could innovate with another way: simply invent horizontal markers! These markers, placed between the tracks or track groups, etc., would help the general division and would be really great.
Since there is yearly payment needed to use an actual Pro Tools Version, the systematic disadvantages (Input Recording Tracks) for users of non-Avid hardware is no longer acceptable ... Give us more simultaneous input Tracks for PT & PT HD
Please vote up for this basic DAW feature
YOU PAID FOR MORE THAN 32 INPUT TRACKS...
HELP TO STOP THIS CREEPY PROFIT DESIGN