colors disappear when clips are muted
just as the titile says- muted clips turn all grey, this should be changed to be a paler version of the clolr the clip has when unmuted. I need my clips to remain color coded even when muted.
Member since 3 years ago
11 ideas posted
43 comments 94 votes
just as the titile says- muted clips turn all grey, this should be changed to be a paler version of the clolr the clip has when unmuted. I need my clips to remain color coded even when muted.
When "saving a copy in..." and ""convert to specified format", that format being 24 bit 48k wav, it doesn't always append .wav to the filenames. This is a big problem when sending a session from a Mac system to a Windows one.
This function seems to have a very strict set of rules under which it will work, which means that most of the time it doesn't. If all the clips aren't displayed in the clip list, or if the clips are part of a stereo or mutlichannel file, it won't work, & there seem to be other restrictions as well. Please change it so that those things don't matter, if I select a group of clips & hit shift-command-R, It will just ler ...more »
This function seems to have a very strict set of rules under which it will work, which means that most of the time it doesn't. If all the clips aren't displayed in the clip list, or if the clips are part of a stereo or mutlichannel file, it won't work, & there seem to be other restrictions as well. Please change it so that those things don't matter, if I select a group of clips & hit shift-command-R, It will just ler me rename regardless of those other things.
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Channelstrip in HDX sometimes REROUTES signals within a stereo or multichannel track or master fader. For example, I had it on a 5.1 master fader, & it caused everything to come out all channels equally. I have it on a stereo audio track & it causes the signal to sound mono- both channels are coming out both sides equally. When I inactivate Channelstrip it reverts to normal.
PT10.2.1 HDX
OSX 10.7.2
with a 5.1 send set to post fader, FMP, automation to the LFE does go to the LFE of the send, but is not displayed in the send window- the LFE fader does not move.
PT10.2.0x127 HDX
OSX 10.7.2
"One or more output paths are overlapped by a wider, inactive path. The widest overlapping output path must be active. You can resolve this by reactivating the widest output path, and deactivation the corresponding bus path in the bus page." Why is this limitation built in now? This is a real problem. It didn't used to be like this. I need to be able to freely inactivate /activate paths to pass my sessions back & ...more »
"One or more output paths are overlapped by a wider, inactive path. The widest overlapping output path must be active. You can resolve this by reactivating the widest output path, and deactivation the corresponding bus path in the bus page."
Why is this limitation built in now? This is a real problem. It didn't used to be like this. I need to be able to freely inactivate /activate paths to pass my sessions back & forth between dub stages & editing rooms without having to change/rearrange output assignments. Once I make a path inactive it shouldn't effect my ability to create/activate other paths.
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Currently it is not possible to scrub a track when it's routed through another track which is in input monitor. This is a terrible inconvenience, please fix it.
It'd be very useful to have very simple visual divider tracks, preferably with user settable colors, to put between groups of tracks. I currently use inactive masters or empty midi tracks but neither of these is ideal, especially because the size increases when I zoom. Ideally the visual divider tracks would just remain a very thin line.
When mixing for post production, we'll often create our perspective changes ona sound effect by suspending automation, selecting the section of time for a given perspective, setting the pans & levels & processing appropriate, & hitting "Auto to All", selecting the next perspective, making changes, hitting "auto to all" again, etc. This works great except that it creates instantaneous automation changes across all enabled ...more »
When mixing for post production, we'll often create our perspective changes ona sound effect by suspending automation, selecting the section of time for a given perspective, setting the pans & levels & processing appropriate, & hitting "Auto to All", selecting the next perspective, making changes, hitting "auto to all" again, etc. This works great except that it creates instantaneous automation changes across all enabled parameters which often result in clicks, especially of there's a lot of low frequency content in the sound. Obviously it's very tedious & time consuming to go through each parameter for each edit & create ramps in the automation changes. It'd be great if there was a minimum slew rate, so that even when the changes appear instant in the graph, the values would slide over a period of a few milliseconds- preferably set by the user- so as to avoid clicks.
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