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In the Edit window, it's convenient to work with MIDI in velocity view most of the time. I can't think of any reason why we should have to switch to Notes view to consolidate.
Shuffle mode does not always work as expected when layered clips are involved, whether Layered editing is enabled or not. See images: 1) a set of clips, purple ones need to be removed. 2) select a purple one that overlaps a clip on at least one side. 3) delete while in Shuffle mode. The resulting edit uncovers the end of the first green clip, and does away with the yellow one, destroying the desired timeline. For clarity, ...more »
A number of us users have spent hours trying to figure out why our iPads don't show up in the All Surfaces list in EuControl, only to find that it all works fine if we install a different router. No known settings are able to solve it. No list of compatible routers is known to exist. It currently comes down to luck whether you happen to have compatible wifi. Please test it with a wider variety and make it more compatible. ...more »
When committing MIDI to audio by drag&drop onto an audio track, the current state of (some?) CC data is ignored. This can cause committing by this method to produce a different result than committing by using the Commit command. It also fails to extend the committed audio clip to accommodate ongoing audio signals. PT 12.8.1
When a clip has a cleared section in the middle, and the remaining portions of the clip have not been moved, it used to be that you could select the cleared area and use the Heal Separation command on it. See image. My workflow has always been: 1. Click in the gap 2. Ctrl-Tab (Windows) to set the selection to the previous boundary (the end of the first clip) 3. Shift-Tab to select to the following boundary (the start ...more »
In PT 12.8 on Win7, using keyboard shortcuts for soloing, muting, record enable, etc. sometimes will be applied to all members of a group immediately after the group has been disabled via keyboard shortcut. For example, create a group designated by letter a. With keyboard focus on GROUPS: 1. type "a" to enable the group 2. type "s" to solo the group 3. type "s" to unsolo the group 4. type "a" to disable the group 5. Select ...more »
PT upgrades/updates always replace my perfectly good, up to date iLok software, and botch it so that I have to download it from PACE, reinstall it, and reboot an extra time. Just happened again with 12.8. Pure waste of time. Give us the option to skip it, please! Applies to all versions on all platforms.
I find myself often importing new files to RX in order to set them to a normal loudness prior to importing them to Pro Tools. It would be handy if there were an option for files dragged from the Clips Bin (maybe via modifier keys) to analyze the loudness using a standard like LUFS and automatically adjust the overall Clip Gain to a user-specified standard long-term loudness level. That way, waveform heights will already ...more »
Option-drag copies a plugin with its settings to another track. Allow same to all selected tracks by adding Shift. It's currently possible to add the same plugin to all selected tracks, but only with default settings. It's currently possible to copy a plugin with settings to another track, but not to multiple tracks at once. It would be nice to be able to do both.
Open the Undo History window. Use the Window menu to uncheck Undo History. The Undo History window stays open, and either the Mix or Edit window closes, depending on which is "in front" of the other. I discovered this because I use keyboard-shortcut-triggered macros to open and close windows that have menu listings but no Avid-assigned shortcut. It started with 12.x, I think. Maybe 11.x. I know it was fine in 9.x and ...more »
Idea scale won't accept the community discussion URL: http://duc.avid.com/showthread.php?t=375398&highlight=default+crossfade&page=2 According to the latest Pro Tools Reference Guide, p. 106, "To apply a Fade In, Fade Out, or Crossfade to an Edit selection using the Default Fade settings, and without opening the Fades dialog, press Command+Control+F (Mac) or Control+Start+F (Windows)." Instead the keyboard command applies ...more »
In Pro Tools 11 with a 48 kHz session, when bouncing to WAV and mp3 at the same time, the resulting mp3 is at 44.1 kHz and reports its length incorrectly (a few seconds short). Obviously, the mp3 sample rate cannot be the same as the session rate for rates above 48 kHz. But it should be for 44.1 and 48 kHz sessions. A drop-down menu should be provided to choose the target rate at least for high rate sessions, and preferable ...more »