In current PT If I need to name 30 tracks e. g. Foley 1--Foley 30 I need to do it one track at a time. This is rather time consuming when dealing with large sessions. It would be nice if I could select a number of tracks, type "Foley" and let Pro Tools assign consecutive numbers to "Foley" automatically. PT should be smart enough to understand that if I type "Foley 10" I need track names start from 10 and on. And it would ...more »
Its a bad idea not to see the waveform when you move regions. It just makes it harder to know exactly where to drop it.
EQ and gain parameters could be assigned to clips. This would greatly simplify automation and editing especially in post production.
to check mixes in mono.
A standalone editor for Eleven Rack (outside of ProTools) would be a crucial addition for Eleven Rack owners. Launching ProTools just to access Eleven Rack's editor is totally excessive, and uses up too much RAM and system resources.
'Fix all known bugs BEFORE adding any new features.' authored by camilo was merged with this idea.
Would allow you to bounce your final mix, and save it as an mp3 as well as a wave file. Good for creating a final mix for a CD Master, and providing a client with a disc that they can use to put music online without having to convert it. And, we wouldn't have to hear the same song bounced twice.
A trim knob that works like the plugin placed before the channel plugin path would be nice. This would help in facilitating proper gain staging of tracks that are recorded too hot or too soft without using up a plugin slot.
Currently when you bounce to disc, the audio file defaults to go to the regular audio folder. I always create a bounces folder in the main session folder and point all the bounces there.
It would be nice to have a separate folder already made when the session is made. Either in the main folder, or in the audio folder, or even have a preferences setting that lets the user decide where the bounces should go.
An option to automatically mute a track as soon as it starts recording to allow monitoring using the console rather than running thru the digital interface. This gives you unlimited communication with the performers while the session is playing.
I would like to have a smart, half-automated way for cleaning up sessions after a mix is done.
The function should allow me to remove unused playlists, consolidate all audio files, delete unused audio regions and put everything in a new folder that contains only the audio needed for the session.
A build-in plugin manager that would allow you to turn plugins on or off AND clearly specifies the correct versions of the installed plugins. After restarting Pro Tools your plugins would then be turned on or off according to the settings you made in the plugin manager. It would be fantastic if it could be done WITHOUT a restart of Pro Tools, BUT even if i do have to restart Pro Tools this would make such a difference ...more »
Where is audio to midi?!? Digi, its 2009! You have a great program but sometimes I wonder... If we had this, we wouldn't have to buy Drumagog to replace live drum sounds. We'd do audio to midi, then use the new midi track with BFD or DFH Superior.
We could sing a bass line and then have XPand play it on the bass!
collaborate with Melodyne and integrate pitch correction into ProTools
It would be nice to have a Redbook CD authoring system included within protools similar to CD architect.