A new compressor would be nice that have an automode oder that you can insert instead of the release time the bpm of the track. It would be for mixing beginners a great advantage because they can control the signal better and there is no pumping
When the default ALL group is selected and anything is edited, EVERYTHING in the session should be edited simultaneously. All Playlists, hidden tracks, whatever, everything
It's brilliant if protools can automatically set to a single core when working on simple session, and automatically add the cores as well as the project built up
Allow multiple trim automation lines on each track. Thus on a vocal track one trim line (A) might be used to reduce esses, while another (B) might be used to modify the pre-existing volume automation (Z). Then allow the trim automation to be coalesced selectively, e.g. coalesce B with Z. This way A can remain un-coalesced for later changes, like you want to dip essess by 3dB instead of 6dB.
It is very powerful to be able to have two low shelves and two high shelves rather than just one of each (See e.g. Waves Renaissance EQ). Also, it is a nuisance in EQ3 that filters are restricted in their frequency ranges.
Look at how little screen real estate is taken up by Waves Renaissance EQ.
Allow 2-dimensional panning with user-specified left-right and up-down effects. For instance, left-right motion corresponds to normal left-right panning as well as left-right panning into a stereo-in/stereo-out reverb, while up-down corresponds to the level sent to the reverb).
sometimes you just need to hear either the left or just the right of the mix
Start being a music company that uses software and hardware as a vehicle for creativity. Stop coding like a software company who just happens to do music. The developers appear completely disconnected from the actual workflows the software is being used for. This mindset is apparent from the way everything flows. Bugs aside, the software could be so much more creativity oriented while still leaving advanced features for... more »
When using my Mbox micro, i'd like to have the option of some sort of input... The line in on my MBP (analog/optical) is perfect to grab some quick audio. Rather than lugging my 002R or Mbox2 to show site. I could use the my console to send what i'd need, grab it, edit it and use it.
I think that Digi should update the color scheme in the HD interfaces to match the ICON ES systems. The color scheme that is use now is based off of the old ICONs. This is just a quick concept of the color scheme.
A sample chop and loop with features like the roland fantom x and a way to trigger them like the mpc with stutter and more and also a way to detect the key of samples should all be included in pro tools.
DigiDesign please listen - Customfader function I have asked this quistion before and the more i work with customfader the more i would like to se a function witch could focus on just the tracks whos assigned to that customfader, here is how i would like to se it I want just those tracks who are in that CF to be showed on my screen, i dont want to have all tracks there as it is now, this must be possible, its dubbel... more »
I think you should be able to use the Strike keyboard to program directly into a Pro Tools MIDI Track. The Pro Tools MIDI Track could output to Strike MIDI Channel 1 to Play the patterns in strike. This would eliminate the need to connect an external controller for creating the MIDI track used change patterns while playing a style in Strike.
There is a function in Adobe Dreamweaver where you can design a site in Photoshop then import that image into Dreamweaver as a "tracing" image -- like tracing paper -- and draw over it. The other day, I was lining up midi notes to match the piano recording of an audio file, and I thought it would be great if I could have a tracing image of the waveform directly in the midi edit window. I often add a second midi file... more »